acid pro 6.0 manual

This work is distributed under the W3C Software License in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTIBILITY or FITNESS FOR A PARTICULAR PURPOSE.. All rights reserved. All rights reserved. United States Patent 6,304,523. Copying or distributing the software except as expressly described in the End User License Agreement is strictly prohibited. No part of this manual may be reproduced or transmitted in any form or for any purpose without the express written consent of Madison Media Software, Inc. Madison Media Software, Inc. All rights reserved. The setup screen appears (if AutoPlay is enabled for your CD-ROM or DVD-ROM drive). In the Run dialog that the CD-ROM or DVD-ROM drive letter and add:\setup.exe. Click OK to start the installation. Windows Installer is installed and then you are asked to restart your system. If you purchased the boxed version of ACID, Internet Explorer version 5.1 is included on your CD-ROM. Double-click a closed book ( ) to open the pages and then click a topic page ( ). Scroll through the list of available topics or type a word in the Type in the keyword to find box to quickly locate topics related to that word. Select the topic and click. Type a keyword in the Type in the word(s) to search for box and click. Select the topic from the list and click. To add a topic to your favorites, click on the Favorites tab. To use What’sThis? help in a dialog box, click the question mark button ( ) in the upper-right corner of the dialog box and then click an item in the dialog box. From the Help menu, choose Sony on the Web, and choose the desired location from the submenu. The software starts your system’s Web browser and attempts to connect to the appropriate page on the Sony Web site. Many of the ACID operations, menu items, and shortcut keys are common to other Sony Media Software applications.

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Please check your inbox, and if you can’t find it, check your spam folder to make sure it didn't end up there. Please also check your spam folder. This wizard offers easy steps that allow you to register the software online with Sony Media Software. Alternatively, you may register online at at any time. Please contact our Customer Service department by dialing one of the following numbers: Use the following numbers for telephone support during normal weekday business hours: To listen to your support options by telephone, please call 608-256-5555. The End User License Agreement is first presented to you when you install the software. Please review the End User License Agreement carefully as its terms affect your rights with respect to the software. For your reference, a copy of the End User License Agreement for ACID is located at Your use of the software is governed by the Software Privacy Policy. A copy of this policy is incorporated into the registration process and you are asked to agree to its terms prior to accepting the terms of the End User License Agreement. Please review its Using ACID for such purposes is, among other things, against United States and international copyright laws and contrary to the terms and conditions of the End User License Agreement. Such activity may be punishable by law and may also subject you to the breach remedies set forth in the End User License Agreement. All other trademarks or registered trademarks are the property of their respective owners in the United States and other countries. For details, please visit:. All rights reserved. All rights reserved. Patents Pending. All rights reserved.They are confidential and proprietary to Dolby Laboratories. Their reproduction or disclosure, in whole or in part, or the production of derivative works therefrom without the express permission of Dolby Laboratories is prohibited. All rights reserved. All rights reserved.

A muted track appears grayed out in the track view. For more information, see Muting tracks on page 48. For more information, see Soloing tracks on page 49. Double-click a surround panner to view the Surround Panner window and make fine panning adjustments. A value of 0 dB means that the track plays with no boost or cut from the software. Dragging the fader to the left cuts the volume; dragging to the right boosts the volume. Dragging the slider to the left places the track in the left speaker more than the right, while dragging the slider to the right places the track in the right speaker. For more information, see Choosing stereo pan types on page 113. If you do not see this slider, expand the track. For more information, see Controller automation on page 176. Changing the slider type for one track changes it for all tracks so you can compare levels of the same control across the project. For more information, see Adjusting the mix on page 48. The area in which events display is the timeline. The track view contains other elements which are described in the following sections. This ruler is fixed and does not update when you change the tempo. This allows the events in the tracks to maintain their size when you adjust the tempo. This ruler can show real time in many different formats. For more information, see Changing the time ruler format on page 223. The ruler changes with tempo, since the number of beats and beats per second of real time changes with tempo. For more information, see Playback commands on page 28. Clicking the Zoom In Time button ( ) increases the horizontal magnification of the project. To decrease the level of magnification, click the Zoom Out Time button ( ). Clicking the Zoom In Track Height button ( ) increases the vertical magnification of the project. To decrease the level of magnification, click the Zoom Out Track Height button ( ). After you select an area of the track view to magnify, the cursor reverts to the previously active tool.

The other parts of the interface are tools and features used while creating and working with your project. You can resize the track list, track view, and window docking area by dragging the dividers between them. You will be prompted to save any changes to the current project. From this window, you can browse all of the available drives to select an ACID project or audio file to open. The first time you save a project, the Save As dialog appears. You can then paste them to a new location. You can then paste them to a new location. In this mode, you can draw and erase notes in a piano roll or drum grid view. When used in conjunction with the Ctrl key, the Erase tool can erase an entire one-shot, MIDI track, or Beatmapped track event with one click. The pasted items cover any existing events. To make room for pasted events, choose Paste Insert from the Edit menu. ACID supports unlimited undos, allowing you to restore the project to any state since the last save. With snapping enabled, you can decide whether to snap to the grid or to all elements (markers, regions, etc.). You can use grooves to manipulate the timing of tracks by quantizing media to predefined grooves or by applying the feel of one track to another. When used in conjunction with the Ctrl key, the Groove Erase tool can erase an entire groove event. The following sections identify and briefly explain the controls located in the track list. You can quickly change the track order by dragging selected tracks within the track list. Right-click the track name and choose Rename from the shortcut menu (or double-click) to change the track name. However, the button is only available in projects containing multiple busses. For more information, see Adding busses to the project on page 141. For more information, see Recording MIDI on page 164. For more information, see Setting up a MIDI controller for recording into a track on page 164. For more information, see Changing the track voice on page 178.

This dialog contains two tabs: Summary and Audio. Selecting the Start all new projects with these settings check box configures the software to use the parameters and information in both tabs as defaults when starting all subsequent projects. Choose Properties from the File menu to display the Project Properties dialog, which contains the identical tabs and parameters as the New Projec t dialog. These boxes may be left blank or if information exists, you may change it at any time. You may add up to 26 For more information, see Using The sample rate Higher sample rates result in better quality sound, but A higher bit depth results in better quality Applying a low- Best produces the sharpest curve. The Open dialog appears. Detailed information about the selected file appears at the bottom of the dialog box. The events point to the location of the source media file. If you restore the source media file at a later time, the project opens normally. For more information, see From the Options menu, choose Preferences to display the Preferences dialog.You can use the Explorer window to locate, preview and add media to your project. You can also extract audio from a CD or download media from the Web. If you have ACID, you can also use the Media Manager to locate and add media files. You can also preview files in the Explorer in conjunction with playing your project, thereby allowing you to preview how a file will sound in the project. The media file begins looped playback. You can monitor its levels on the preview bus. Hold Shift while clicking to select multiple, adjacent files or hold Ctrl while clicking to select multiple, nonadjacent files. The first selected file in the list is previewed, followed by each file in the list. A file’s icon changes to a Play icon ( ) to indicate which file is currently previewing. Press Enter to add all selected files to your project.

Windows can be docked side by side or in stacks in the window docking area. For more information, see Docking and floating ACID windows on page 221. Additional windows can be displayed by clicking the window’s tab or by choosing the desired window from the View menu. You can also create floating docks anywhere by dragging more than one window to the same area. You can use the Explorer window to locate, preview and select media files to be added to your project. You can also use the Explorer window to perform common file management tasks, such as renaming files or creating folders.The video file displays during project playback and can be rendered with the project to an appropriate format.For more information, see Using the VST Effects tab on page 234. The lower half of the window displays the selected groove map in the Groove Editor, which allows you to make changes. For more information, see Working with grooves on page 120. For more information, see Using the list editor on page 191. For information on a specific feature and its availability, please refer to the description of the feature in this manual. For MIDI events, see MIDI signal flow on page 33. Tracks routed to busses (e.g., Bus A) send stereo panning (two-channel) information. Assignable effect chains routed to busses (e.g., Bus A) send stereo panning (two-channel) information. Busses routed to hardware send stereo panning (two-channel) information. Soft synth controls routed to busses (e.g., Bus Busses routed to hardware send stereo panning (two-channel) information. In this chapter you will learn the skills that will allow you to create music, from locating media files to writing the finished project to CD. You can immediately begin building your ACID project using the application’s default project properties. However, you may prefer to customize the project properties prior to beginning the project. Choosing New from the File menu displays the New Project dialog.

As a result, these clips respond to tempo and key changes just like loops. For more information, see Using the Beatmapper on page 114. For more information, see Using the Audio tab on page 230. You can use MIDI clips to record data from and play back through synthesizers and other MIDI-compliant equipment. For more information, see Working with MIDI on page 163. Use folder tracks to group related tracks or sections of a project so they can be easily expanded or minimized. For example, if you have many drum tracks in your project, you can add a folder track to consolidate drum tracks and minimize their vertical space in the track list. Expand the folder track to edit individual events. Now you can add events to the track view. The following sections describe three basic techniques used when working with audio events: painting, deleting, and moving. When you paint on the media file’s track, you create an event that displays the file’s waveform. You can paint events on the timeline using either the Draw tool or the Paint tool. For more information, see Adding clips to tracks on This tool allows you to add events one at a time. In addition, you can use the Draw tool to select, edit, and move events. For more information, see Adding and editing events on page 41. The pointer displays as a pencil icon. A waveform representing the event appears on the timeline as you drag the mouse. The event plays back. This can be useful when you need to quickly add several seemingly random events to a project. The Paint tool is also best used for painting multiple one-shot events that will be evenly spaced on the grid lines. The mouse pointer displays as a brush icon. Notice that events are painted in every grid space the Paint tool contacts. All new events play back. You can use this feature to create rhythms on one-shot tracks while listening to the track you’re editing in the context of the rest of your project.

When you’re done creating events, you can use the Render to New Track command (on the Edit menu) to save the rhythm to a new track, or you can copy and paste your new events across the timeline. You can use snapping to quantize your events. You may find it helpful to turn snapping options on by choosing Snapping from the Options menu and choosing Enable from the submenu. When you drag the event past the end of the file, looped files repeat, but one-shot and Beatmapped tracks draw silence. The easiest method of deleting a section of an event is to use the Erase tool. The pointer displays as an eraser icon. Just hold Ctrl while you click the event. You can move events along the timeline either individually or as a group. A longer event placed over a smaller event conceals the smaller event and makes it inaudible. A smaller event placed over a larger event is audible and renders the section of the longer event it covers inaudible. The event is highlighted to indicate that it is selected. In this mode, you can draw and erase notes in a piano roll or drum grid view. For more information, see Editing MIDI on the timeline on page 167. In addition, the positioning of the cursor is essential to the creation of time selections. For example, you may want the beginning of a guitar solo to coincide with a snare drum hit, or background vocals to enter exactly 3 minutes and 24 seconds into a song. For these reasons, you can also position the cursor using your keyboard. For more information, see Cursor placement, loop region and time selection commands on page 25. Specify a position (in measures.beats.ticks format) in the box that appears in the time display and press Enter. Specify a time in the box that appears in the time display and press Enter. This method is useful when you need to move several scattered events by an equal amount within the project. Selecting any two events while holding Shift automatically selects all events located between the selected events.

If your project is currently playing when you select a new file, the new file plays back along with your project. This feature allows you to listen to the media file in the context of your project. When you add a file to a project, a new track is created to accommodate it. New tracks are added at the current volume of the Preview fader in the Mixer window, unless you have set a default track volume level. For more information, see Setting default track properties on page 227. For more information, see Proxy File on page 273. This keeps the media file available for use even if the source of the media is no longer accessible. However, files are not cleared from the folder if the software closes inappropriately. For more information, see From the Options menu, choose Preferences to display the Preferences dialog.Dragging a file from the Explorer to the track name of an existing track allows you to replace the original file with the new file, while all events remain in place. When you drop the file, a shortcut menu appears that allows you to choose whether to treat the file as a loop, one-shot, Beatmapped track, or as an autodetected type. You can right-click a MIDI in the Explorer window, you can choose how you want to add it to your project: Within the Media Manager window, you can build media libraries of your media that include file attributes, ACID metadata, and tags that you can assign to classify your media. You can also search for, purchase, and access reference libraries from outside sources to build your media file base.Extracted CD tracks are added to new tracks in your ACID project. The Extract Audio from CD dialog appears. Each track is extracted to a new track in your project. The time range is extracted to a new track in your project. In order to preview, your CD drive’s audio output must be connected to your sound card, or you can connect headphones to the front of the CD drive.

From the Options menu, choose Preferences, and on the General tab, select the Autoname extracted CD tracks check box. For more information, see From the Options menu, choose Preferences to display the Preferences dialog.The extracted file is added to a track. For more information, see Using the Beatmapper on page 114. However, if this information is not available, the software can retrieve information over the Internet from Gracenote MusicID. In this case, you can edit CD information and submit it to the For more information, see Extracting media files from CD on page 38. For more information, see No additional action is necessary. Proceed to step 2. The Gracenote CDDB Disc Information dialog is displayed, allowing you to complete information for the CD and submit it for inclusion in the Gracenote Media Database.The artist, album, and track information is displayed based on your selection in the right side of the PC pane. The Gracenote CDDB Disc Information dialog is displayed. For more information, For more information, see Explorer window on page 22. The Browse for Folder dialog appears. The selected file is downloaded to the folder specified in the Destination box. The file is added to your project. In this mode, you can add files to a download queue, specify where the downloaded files should be stored, and monitor the progress of your downloads. Click Start to begin downloading queued files, or click Hide Details to return to basic mode. Depending on the type of media you add, one of four clip types is created to accommodate it: loop, one-shot, Beatmapped, or MIDI. You can identify a track’s type by looking at the paint clip selector icon in the track header. For more information, see Using clips with tracks on page 107. They are usually one to four measures long. Loops are the type of file that you will use most frequently. Things such as cymbal crashes and sound bites could be considered oneshots.

Events may be selected from the same track or across tracks. This method is useful when you want to move several adjacent events by an equal amount within the project. This tool allows you to select events using three methods: vertical, horizontal, and free selection. This is the The pointer displays as an arrow with an adjacent dotted box ( ). A dashed rectangular box appears on the track view and all events within and adjacent to it are selected. The selection method changes to vertical and again, all events within and adjacent to the selection area are selected. The selection method changes to horizontal and all events within and adjacent to the selection area are selected. Frequently, you may want to select only audio events occurring within a time selection. You can do this using the Time Selection tool. The pointer displays with an adjacent cursor ( ). The selection area is highlighted on the track view. A time selection is created and all events within it are selected. You can turn snapping off by pressing F8. This technique is useful for selecting individual instruments from a particular section of a song. For example, you may want to copy all percussion events from a song’s bridge and reuse them in the coda. The pointer displays with an adjacent cursor ( ). The selection area is highlighted on the track view. A selection is created and all events within it are selected. The entire event appears highlighted; however, only the section of the event contained within the time selection is actually selected. In addition, holding Shift allows you to select the events of multiple adjacent tracks within a selection. For example, placing all drum loops together in the track view makes it easier for you to fine-tune the mix of the song’s overall drum sound. A heavy black horizontal line appears on the track list to indicate where the track will be placed. This is especially useful when building a project with a large number of tracks.

In addition, you can decrease the track’s height until only the multipurpose slider, Track FX button, Mute button, and Solo button are visible. The pointer displays as a vertical stretch icon ( ). For more information, see Setting default track properties on page 227. This wizard off ers easy steps that allow you to register the software online with Sony Media Sof tware. Registering your product will provide you with access to a va riety of technical suppor t options, notification of product updates, and special promotions exclusiv e to registered ACID users. Registration assistan ce If you do not have acc ess to the Internet, registration assistance is available during normal weekday business hours. About your rights in A CID software ACID is licensed to y ou under the terms of the End Us er License Agreement. T he End User License A greement is first presented to y ou when you install the software. Please revi ew the End User License Ag reement carefully as its terms affect your rights with respect to the software. Y our use of the software is governed by the Soft ware Privacy Policy. A copy of this policy is incorporated into the r egistration proc ess and you are asked to agree to its terms prior to accepting the te rms of the End User License Ag reement.Ask your question here. Provide a clear and comprehensive description of the issue and your question. The more detail you provide for your issue and question, the easier it will be for other Sony Acid Pro 6 owners to properly answer your question. Ask a question About the Sony Acid Pro 6 Do you have a question about the Sony Acid Pro 6 or do you need help. Ask your question here Sony Acid Pro 6 specifications ManualSearcher.com ensures that you will find the manual you are looking for in no time. Our database contains more than 1 million PDF manuals from more than 10,000 brands. Every day we add the latest manuals so that you will always find the product you are looking for.

It's very simple: just type the brand name and the type of product in the search bar and you can instantly view the manual of your choice online for free. ManualSearcher. com If you continue to use this site we will assume that you are happy with it. Read more Ok. The manual is automatically downloaded on the desktop or in the file downloads of your computer. The same way is also possible if you prefer to search by choosing the menu: Brands.To view the documents, you must have Adobe Reader installed on your computer. To download free the most recent version of this software click here. Post your question here in this forum. We're committed to dealing with such abuse according to the laws in your country of residence. When you submit a report, we'll investigate it and take the appropriate action. We'll get back to you only if we require additional details or have more information to share. Note that email addresses and full names are not considered private information. Please mention this; Therefore, avoid filling in personal details. Please enter your email address. Multitrack recording. Comprehensive MIDI sequencing. Over 1,000 loops. In the world of digital music creation, ACID Pro software has always stood out from the crowd. Its automatic loop time-stretching and tempo-matching technology is second-to-none, and its straightforward pick, paint, and play functionality has helped make ACID Pro software the favorite loop-based music creation tool for millions of users worldwide. The 13-digit and 10-digit formats both work. Please try again.Please try again.Please try again. Used: Very GoodPages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks, our motto is: Read More, Spend Less.With such a major upgrade, ACID has become a better tool for song creation, deejaying, film scoring, and multimedia development, but it has also become more complex. ACID Pro 6 Power!

: The Official Guide is the perfect resource for those new to ACID or those who are familiar with previous versions but need to get up to speed on the myriad new features. There is something in ACID Pro 6 Power.The clear and solid examples in the first few chapters introduce the user interface and program workflow. The book then moves on to music theory concepts, which are invaluable to those who want to move beyond casually playing with ACID into serious music composition and song creation. The final goal of the book is to get into some of the more technical aspects of ACID. You will learn how to polish your masterpieces using effects processing. And because publishing and sharing your newly created music is the ultimate goal, you'll also learn how to burn industry-standard CDs and produce highly compressed MP3 files for the Internet. You can dive into numerous fascinating topics, from amazing MIDI technology to recording your own vocals and solo jams. ACID Pro 6 Power! is all you need to get started. The companion DVD includes fully functioning time-limited demos of ACID, CD Architect, DVD Architect, Jam Trax XPress, Sound Forge, Vegas, and much more, plus training videos with additional tutorials, and over 500 sample loops to use in your own productions! Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. As the Director of Technical Education at Digital Juice, he works with other broadcast professionals to produce instructional media, including print, audio, and video products. Previous industry jobs have included technical editing at Videomaker magazine and technical writing for Sonic Foundry and Ulead Systems.To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. Please try again later. Tom Overthere 5.0 out of 5 stars Yet I could find NO book on how to use Acid Pro VERSION 7. Also, I find very little online user-forum discussion. Most young musicians (who have never experienced traditional multi-track recording) seem to prefer Ableton Live and similar loop-based programs, the discussion of which accounts for the bulk of online chat. The following paragraph is nearly identical to my description of the other Power.The author explains the concept and use of nearly all aspects of the program. Only minor allowance needs to be made for the fact that I'm using version 7, when the book actually is written for the prior version 6. Acid VERSION 6 did NOT include v7's new Mixing Console window, which is an AMAZING improvement - especially if you have dual monitor screens (it's the console you always wished you could afford, and it's almost endlessly expandable). The mixer is not difficult to understand, and there are video tutorials on Sony's website and on YouTube. This book teaches you ALL the Acid 6 concepts in the appropriate level of detail. VERSION 7 consists of all the same features, plus a few new ones. Amazon's price is excellent, well below the publisher's price and generally less than competing online resellers. And what's better than prompt FREE delivery with a 30-day return policy. Buy this book and keep it handy. An excellent reference text.Acid Pro 6 Power! is a very hefty book. And I'm certain most people who buy it will Not read most of it. Sorta like a Chilton's Guide to your 74' Datsun B210. BUT! the point is.IT'S ALL THERE!!! Any question about how to do anything, what this does, what that is there for, etc. Tips and tricks. It's HUGE! It will continue to be a reference book into the future. At least until the next version's book comes out.